Arqueología del sentir.

Exposición en Bienal Sur, 2023. Museo Provincial de Bellas Artes Franklin Rawson, San Juan, Argentina

Authors

  • Roxana Amarilla Master's Degree in History of Argentine and Latin American Art. School of Advanced Social Studies, National University of San Martín (EIDAES, UNSAM) https://orcid.org/0009-0006-7112-5363

Author Biography

Roxana Amarilla, Master's Degree in History of Argentine and Latin American Art. School of Advanced Social Studies, National University of San Martín (EIDAES, UNSAM)

She holds a degree in Social Communication from the National University of the Northeast. She has specialized in Communication and Cultural Management at the Latin American Faculty of Social Sciences (FLACSO) and in Intangible Cultural Heritage at the Regional Center for the Safeguarding of Intangible Cultural Heritage (CRESPIAL) and the National University of Córdoba. She is currently pursuing a Master's degree in the History of Argentine and Latin American Art at the Institute of Advanced Social Studies of the National University of San Martín. She coordinates the Argentine Handicrafts Market for the National Secretariat of Culture and is a member of the World Crafts Council. She researches the historiography of textiles at the Center for Art and Heritage Research of the National University of San Martín. She published “I Carry a Town in My Poncho: Art of the Textile Community of Londres, Catamarca” in Volume XIII of General History of Art in Argentina (National Academy of Fine Arts, 2024). and “The clay of memory. Stories of Moqoit pottery in the Chaco”, in Deborah Dorotinsky (Editor), Popular Arts in the 20th Century: Concepts, Artistic Dialogues, Social Resistances (Getty Foundation-National Autonomous University of Mexico, 2025).

References

Bovisio, María Alba (2013) El dilema de las definiciones ontologizantes: obras de arte, artefactos etnográficos, piezas arqueológicas. Caiana, 3, 1-10. https://caiana.caiana.com.ar/articulo/2013-2-03-a01/

Corcuera, Ruth (1995) Herencia textil andina. CIAFIC.

Escobar, Ticio (1986) El mito del arte y el mito del pueblo. Museo del Barro.

Escobar, Ticio (2023). Km 1006, San Juan, Argentina, texto curatorial. En Jozami, Anibal (director general) y Wechsler, Diana (directora artística), Catálogo Bienal Sur 2023 (p. 214). https://bienalsur.org/storage/catalogues/files/xIjlcjrIc6AuX3z7pc983aYiynRVDIQWMRGyM8JN.pdf

López Campeny, Sara Maria Luisa (2006). Colores y contrastes en un desierto de altura. Evidencias de cordeles teñidos por reserva en Antofagasta de la Sierra. En Victoria Solanilla Demestre (ed.), Actas del III Jornadas Internacionales sobre Textiles Precolombinos (pp. 281-300). Departament d’Art de la Universitat Autònoma de Barcelona.

Rolandi de Perrot, Diana Susana (1973). Ikat en Tastil, provincia de Salta. Revista Relaciones, Sociedad Argentina de Antropología, Tomo VIII, 183- 185.

Varixs autorxs (2021). Memoria de telares y teleras. Homenaje a las cultoras del telar criollo de San Juan. Museo Provincial de Bellas Artes Franklin Rawson. https://issuu.com/museofranklinrawson/docs/catalogo_teleras

Published

2026-01-31

How to Cite

Amarilla, R. (2026). Arqueología del sentir.: Exposición en Bienal Sur, 2023. Museo Provincial de Bellas Artes Franklin Rawson, San Juan, Argentina. Memorias Disidentes. Revista De Estudios críticos Del Patrimonio, Archivos Y Memorias, 3(5), 314–318. Retrieved from https://ojs.unsj.edu.ar/index.php/Mdis/article/view/1472